Listen Out Melbourne

So on the weekend I went to this really cool party in an enchanted garden location and the likes of Azealia Banks, Disclosure, Classixx, Duke Dumont, Touch Sensitive, Rüfüs, TNGHT and Aluna George were all there. No, it wasn’t a dream it actually happened. Crazy huh?

I feel that it is more appropriate to say that on Saturday I attended a really rad outdoor party as opposed to a music festival. That’s the vibe of the fresh new event known as Listen Out that took place and debuted for the first time in Melbourne on Saturday, nestled within the city at the beautiful botanical gardens.

Organizers of Listen Out intended to strip away all the things we punters don’t like about major music festivals (such as serious timetable clashes, painful hikes to various annoyingly spread out stages, teasingly short sets and overwhelming crowd numbers) to create a new redefined way of experiencing music live.

The line up manifested the philosophy of ‘the best’ not ‘the biggest’ which I thought was clever as it meant each act was able to interact intimately with their audience and perform a longer more thorough set.

The weather gods of Melbourne put on a perfect 25-something-degree day with the right amount of sunshine to chill out and set the day right. Upon arrival around 2, I realized how small the event vicinity was which I saw as a good thing as it meant I wouldn’t have to leave any artist early to make it in time for another.

I started my day of with Rüfüs at the Atari Stage cleverly positioned in some shade (nothing worse than looking up at an act and being blinded by the sun). The Sydney-based trio has been one of the most talked about acts of the year and has become one of the most requested artists on Triple J. I was super excited to see these guys, as I was one of the many unfortunate to miss out on their sold out multiple Melbourne shows. Sundream and Desert Night were absolute standouts from their set for me. As soon as dreamy lead vocalist Tyrone sung the opening lyrics the fellow members James and Jon followed through with such soft and smooth rhythms that it would’ve just been awkward to not move a little and embrace the feel good tunes.

Following Rüfüs at the Atari Stage was UK producer Duke Dumont who I know as the creator of the infectiously catchy tune Need U 100%. Being a one-man show he didn’t have the interactive stage presence the previous act had but I did love his set for the fact that it made me feel like I was transported to some Vegas pool/day club. Staying at the Atari stage to catch a few discoesque sublime beats from Classixx (live) was a smart move. The L.A DJ duo won me over with their French inspired beach vibes summer charmer Holding On. It’s very hard to believe that the Listen Out tour has been the first time they’ve played live in Australia. We should definitely have them over more often.

Quarter to six I made my way to the other main stage called the 909 in under 4 minutes (thanks again to the neat set up). Here I was awaiting AlunaGeorge – UK duo comprised of the angelically sweet vocals of Aluna and production prowess of George. Opening the set with the very cheeky Just A Touch track AlunaGeorge were killing it, I knew they were because when I looked behind me to get a glimpse of the crowd all I could see was hands in the air, grinding and grooving bodies everywhere. ‘I love it when I see you having fun’ she sang and I’m sure she could tell everyone was having A LOT of fun. They’re best known for their highly talked about and popular track Your Drums, Your Love so unsurprisingly as soon as that came on the crowd got even more into it singing along. The chorus in that tune is nothing but pure bliss this along with the sun well and almost set on the Botanic Gardens, AlunaGeorge’s set was one of my favorites of the day.

Now let’s just take a moment to discuss the series of events that happened down at the Atari stage just after 6pm. Azealia Banks had a bit of a shit one in the Sydney leg of Listen Out as she stormed off stage 20 minutes into her 50-minute set due to people in the crowd chucking rubbish at her. Her Melbourne crowd was cool, calm and collected. I was pretty excited because I knew her set would be incredible with lots of new tracks she’s been working on since her last visit (In March for Future Festival). 6:25pm came around and the Harlem rapper hit the stage with her two baben’ dancers, opening the set with the new ATM Jam track.  90 seconds into the performance a full beer can was thrown at Azealia. She consequently let go of her mic, walked off stage never to return and tweeted a quick apology saying ‘Sorry to all the festival-goers in Melbourne!!!!!! See ya tomorrow in Brisbane!!!!!!’. A mixture of cheering, booing and even crying erupted from the crowd with lots of mixed opinions about the whole situation.

Just after 8pm the Atari stage was the place to be. It was actually the only place to be as the other two stages were done and closed off for the night. The well-planned set times meant that everybody was able to see the massively awaited Disclosure. Considering the release and success of their album ‘Settle’ – the crowd was buzzing, lyrics were memorized ready to be belted and everyone was getting geed up by the famous disclosure face done up in pyrotechnics. I had my fingers crossed that this set would go off on a grand scale note to really make Listen Out worth its while. And it did. It went beyond that; the UK-based brother duo exceeded my expectations. Opening their headlining live set with F For You was the perfect way to tease the crowd for what was yet to come. Intricately layered beats, smooth synths and deep UK house pervaded each track they played from the older stuff like Boiling and my personal absolute favorite bouncy Flow to their newer ‘Settle’ tracks such as You & Me and When a Fire Starts To Burn.

Despite a favorite act cut short due to crowd stupidity and a lack of food options Listen Out really did live up to its boutique party vibe hype. I can definitely see it becoming an Australian staple music event.

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Celeste Tesoriero High Summer 13/14

Who: Celeste Tesoriero

What: Designer

Where: Sydney based

Why: She’s designed for other labels in the past but only recently invested herself into her own project. Her brand is a mere few seasons old, however if you suss out her 13/14 summer collection titled ‘High Summer’ you will come to realise that it’s no surprise that things have taken off very well and very fast for this emerging Aussie. She is different, she bends the rules that everyone seems to stick by when summer comes round. You think bold splashes of colour and clashing patterns for summer, whereas Celeste goes against this and creates a refined collection with an active wear vibe. Think of a monochrome colour palette, with textured fabrics that just speak for themselves – it’s just fresh and invigorating. I can definitely see myself wearing one of these pieces on my tanned body this Summer.

 

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KS Swim SS 13/14 Lookbook ‘Ruins’

I want to purchase one of Karla Spetic’s  sophomore swimwear pieces and demonstrate a testament to the history of my home country – Egypt. Her latest collection soon to rein supreme come summer is an obvious ode to the pyramids, hieroglyphics, ancient desert inspired prints and anything monumental to the lavish era of ancient Egypt.  Click here to have a look into making some of this rad swimwear yours.

 

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The best thing I have ever laid my eyes on….

Rummaging through the old work of one of my favourite photographer’s ever Bryon Spencer’s and I happened to stumbled across something that just made me gasp in awe – the same way it did when I first saw it months and months ago! I love absolutely everything about it – it’s probably my favourite shoot of all time EVER and it features the amazing Emma Mulholland’s Spaced Out collection modelled by one of my favourite megababe models EVER Anja Konstantinova!!!!!!!!!!!!!!!

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Flight Facilities Corner Hotel Gig (23.05.13)

I vividly remember the first time I was embraced by the smooth electronic goodness that is Flight Facilities. It was 2010 and I was studying and equally freaking out about some trivial high school homework begging my brother to turn down the TV that was so loud the walls were vibrating. He obviously didn’t so I got up myself, walked to the living room and there it was on Video Hits or some similar old school music program – ‘Crave You’ by Flight Facilities. I sat down and soaked in the mellow beats and angelic vocals of the featured artist Giselle. Forget the homework, I spent that arvo googling the rad artists behind what soon became to be one of my all time favorite summer tunes.

Last night I was back again at the Corner Hotel in Richmond to see Sydney based Hugo & Jimmy perform live – these blokes are the Australian indie electro DJ duo that we all know and love as Flight Facilities. Majority of the crowd was young adoring adults swooning around the intimate stage. They were drunk, sober and everything in between. It was fantastic and I was just itching for the boys to come out and deliver to all us crazed fans.

The Flight Facilities guys are versatile melody makers; it’s as simple as that. What really sets these guys from the myriad of emerging Australian DJ acts is their ability to create sounds that are an amalgam of several different genres and blend them all seamlessly into a unique vibration of noise. I just wanted to fast forward to later on in the night so I could get my good dose of them asap.

Taking it from the very top at 9:00pm was Movement. Not ‘The Movement’ but just Movement – three boys from Sydney who according to their soundcloud write songs especially for YOU. I must confess I did not hear about these guys before last night but I am so glad I know who they are now because they are definitely an act to keep your eyes on. The lead vocals are on par with SBTRKT, then there is some Jamie xx style xylophone sounds but still their sound is vividly different to anything I have heard. I spent this part of the night shazaming every tune they played. A standout was when they performed their very first single ‘Feel Real’, which actually comes out today and is available on iTunes. The echoing chorus interrupted with underwater xylophone sounds strung effortlessly on a smooth beat is something you just need to experience live.

Elizabeth Rose the groovy soul sister (yes I just used the word groovy) who features on the ‘I Didn’t Believe’ track has been the supporting act for Flight Facilities on this good vibes tour. The cheeky diva played her own set prior to the boys but also provided some guest vocals on a few songs during their set. She impressively danced the whole time whilst simultaneously singing flawlessly and playing her keyboard the whole time. She was great and is such a megababe on stage but it was pushing past 11 and I was just hanging for Flight Facilities.

The venue was filling up very quickly, however I managed to score myself a sweet place – sitting on stage. That is dedication.

Saying that I was excited would be an understatement. I had expectations that amounted to the wildest craziest messiest disco dance party ever.  I had their disco-esque tune I Didn’t Believe feat. Elizabeth Rose on repeat since the moment it was released on their YouTube channel in preparation for the night.

The smoke machines went haywire, the set up lights were flashing an erratic pattern and then it was time, the Flight Facilities came on. The boys were clad in suits and their deck station thing channeled a groove jet airline vibe. Everyone in the Corner was on board and ready to go on a wild dance trip. It was crazy. If you weren’t dancing then something was very wrong with you or you were deaf – either way sucks to have been you because straight up they were already smashing out some dance tunes. Now this tour wasn’t for launching a new album or anything but rather for the ‘I didn’t believe’ single so I was intrigued to see what they were going to fill their set with.

There was a blurry mixture of dreamy pop and senseless disco to fill the gaps in-between the boys well known tunes. They even managed to play a bit of Daft Punk, with the very familiar ‘Get Lucky’ track pervading throughout the whole Corner. Was so good as literally every single person sang the lyrics at loud and had a good get down.

Highlights for me was when they ripped out their track ‘With You feat. Grosvenor’. Now I’m going to assume the funky lanky dude who came on stage to feature in the live rendition of the tune was in fact Grosvenor but I would not know with 100% certainty but nevertheless he delivered. It’s such a good dance tune because quite frankly when it’s on you can’t help but move and by move I mean dance unpredictably and very wildly.  The lyrics are simple, catchy and again everyone was on board and made that track a memorable one for the night.

Of course the night would’ve been somewhat incomplete without ‘Crave You’. Elizabeth Rose came back on stage to fill in the vocals for the track, which is originally done by Giselle. I can’t really put words to the feeling I was feeling when this came on. The boys were in their element. This was the song that really launched them as distinctive emerging dance music artists and I’m sure they were in love with the fact that every single soul in the corner was grooving, singing along, soaking it in and appreciating their talent as incredible music makers. Very glad that I was able to witness it all and of course bust a few moves.

This morning ears are ringing and feet are tingling – both signs of a great night. Thank you Flight Facilities, please come again?

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Post LMFF depression

LMFF has come to an end! It was such a spectacular series of events and I couldn’t be more thankful for being able to be a part of the team that helps put it all together! While I now hibernate at home attempting to catch up with all my uni work and get through this post LMFF depression I am just giving a heads up that I will be posting photos very soon of the week that was! For now you can check out my Instagram (@abrarkadabra) for sneak peeks of my LMFF experience!

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